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Writing Projects Update for June 2014

I just wanted to take a moment to provide a project updates for those who are interested. For June, I started the Summer Challenge, posting how much I wrote each day.

Here is a list of my current projects and their expected completion dates:

WAYS OF CAMELOT novels (Arthurian Fantasy)

1. Road of Waters (Book 2) will be out in e-book and print in August (now in the editing phase)

2. Road of Clouds– last of the trilogy should be finished by late summer/ early fall 2014

CIRIAN WAR SAGA novels (Epic Fantasy)

1. Truth Mocker (Book 2) should be available by late 2014. (about 40% complete now)

2. Books #3 & 4 of this series are planned for 2015

3. Book 5– last of the saga- is planned for early 2016

TYRANTS OF TOLERANCE Series (YA Science Fiction)

The first of these novels has been delayed until 2015, due to the backlog

 

To my loyal readers who are waiting patiently for the next book in their favorite series- Thank You for your patience. I will do my best to repay your patience with stories that you will enjoy.

 

 

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Writing Projects Update for April 2014

I just wanted to take a moment to provide a project updates for those who are interested. This year has started with a long run of odd illnesses in the Lorenzen household (colds, noro-virus, pink eye, vertigo, strep throat, sinus infection, and more).  Needless to say, my usual writing pace has slowed down. But I hope to see my pace pick up this month.

Here is a list of my current projects and their expected completion dates:

UNLUCKY ALIEN Series (Sci-Fi Short Stories)

1. Alien at the Office will be out in e-book format this month.

WAYS OF CAMELOT novels (Arthurian Fantasy)

1. Road of Waters (Book 2) will be out in e-book and print in about two months (about 70% complete now)

2. Road of Clouds– last of the trilogy should be finished this summer

CIRIAN WAR SAGA novels (Epic Fantasy)

1. Truth Mocker (Book 2) should be available by late 2014. (about 40% complete now)

2. Books #3 & 4 of this series are planned for 2015

3. Book 5– last of the saga- is planned for early 2016

TYRANTS OF TOLERANCE Series (YA Science Fiction)

The first of these novels has been delayed until 2015, due to the backlog

In addition to these projects, I still have numerous non-fiction guidebooks to complete for Genuine HR: books on hiring paperwork, employee discipline, and termination. I may also complete  more short stories, but probably not until this summer.

I’m glad to be so busy, but sometimes I just wish there was more time in the day. To my loyal readers who are waiting patiently for the next book in their favorite series- Thank You for your patience. I will do my best to repay your patience with stories that you will enjoy.

 

 

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Fantasy Fantasy Fridays Story Lines world building

I love fantasy books

Today being Valentine’s day, it seemed appropriate that I should talk about my long-time love for fantasy novels. No, its not the same kind of love as I feel for my family or dear friends, but fantasy worlds have been a part of my life for decades now and I love it. Some of the fantasy books that are the dearest to me aren’t necessarily the ones that I would call the best written or the ones with the grandest world building. I think it more has to do with where I was at in my life when I first read each of these books. Now, when I go back and re-read them (which I do every few years), I think I get a little taste of those memories mixed in and it makes each book that much more satisfying. So here are some of the novels that I have most dearly loved over the years (in no particular order):

1. Lord of the Rings trilogy–  You can’t get any richer than Tolkien’s Middle Earth, with its imagined languages and grand sweeps of history. It is a land that can swallow me whole. I’m not as enamored with the Hobbit or the Simarilion, but LOTR is a true fantasy classic. What do I love the most about LOTR? Well, I would say the various enchanted lands (Shire, Minas Tirith, Rivendell, Lorien, Fangorn ), the humble hobbits and their camaraderie, and the terribleness of the evil. It is a black-and-white world where I certainly know who to cheer for. I’ll admit that I will sometimes skim through some sections (you have to be in a certain mood to appreciate Tom Bombadil), but it is such a great adventure overall.

2. Riddle-Master trilogy– This one is a little harder for me to explain. For some reason, I have found Patricia McKillip’s word to be haunting with its powerful, chaotic sea people and the struggling Prince Morgon who is trying to understand what is happening and looking for a way to resist these frightening attackers.

3. Wizard of Earthsea trilogy– This trio of thin books by Ursula LeGuin are magical. Somehow, she succeeds in entrancing me while keeping the writing sparse. She makes Ged very real, with some deep flaws but also some wonderful traits. I love the many islands with their unique cultures, the wonder of the wizard school, and the awfulness of Ged’s shadow.

4. Dragonsong trilogy– Another trio of thin books, this one from Anne McCaffrey, has caught my imagination even more than her more-sweeping Dragon Riders of Pern novels. Maybe it is because I get to become so close to vulnerable Menolly, but for some reason I find that I have re-read these three (Dragonsong, Dragonsinger, and Dragondrums) far more than her other books.

5. Saga of Recluse– This huge series of books by L.E. Modesitt Jr. is one of the few large series that I will re-read. Because each book is its own story, I can jump around and pick up the one that I’m in the mood for at the time. Most other series, like Jordan’s Wheel of Time,  just become tiresome in their size. The story never seems to end. There are many such long series that I haven’t even finished because the tales became bogged down in their side-stories. However, Modesitt wisely made each of these books independent of the others, so you can jump around without losing the story-line.  The Recluse world isn’t the richest or most- sweeping, but it builds with each new book and develops into quite a fantasy tale.

Are these five the best fantasies ever written? I’m not arguing that at all. I think there are some tales that are far grander. However, I do find myself going back to these five more often. It might just be because of where I was at in life when I originally read them, but they each have a special place in my heart and I’m thankful to the authors who wrote them. These authors have brought me with them into some fantastic tales.

I hope that my own novels will someday entrance readers in a similar way.

What are your favorite fantasy novels? Feel free to share your thoughts in the comments section below.

 

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Fantasy Fantasy Fridays Future of Writing

Is there something wrong with Epic Fantasy?

Recently, the website SFSignal posed this question to numerous writers, including Robin Hobb, Martha Wells, and Melanie Rawn. I thought it was an odd question- at least certainly a loaded question. The headline for Andrea Johnson’s article was even more confronting: MIND MELD: What’s “Wrong” with Epic Fantasy?

Some, like Marc Alpin and Teresa Frohock, saw no real issues except an overload of choice and maybe some wrong expectations. Others, like Martha Wells and Melanie Rawn, mentioned the tendency for epic fantasies to get weighed down from having so many viewpoint characters. Robin Hobb felt that readers sometimes couldn’t find what they really wanted in the glut of books offered. Each person’s reply is worth reading, so follow the link and read it yourself.

The various respondents gave decent answers, but I had some qualms with who was asked.

Let me explain. I though it was a decent article, but I’d rather hear more from the readers than from fellow writers and other insiders when it comes to any issues with a genre or sub-genre. As a writer, I want to avoid themes that are getting tired or predictable. However, the “experts” can get jaded from overexposure to insider things, like professional film critics do, and start nitpicking at stuff that most would never notice. As long as my readers are happy with my books, then I’m satisfied.

Are there things in the genre that I dislike? Yup. I’ll not go into all of them because much of it is a matter of personal taste, but I have written about  some of the ways Fantasy Series can fall short (Why Read the Whole Fantasy Series?). I will refrain from ranting on my other pet peeves though. Instead, I will try to write more novels that entertain. I want the readers to enjoy a good read and maybe have something to ponder afterwards. If I can consistently accomplish that, then I have found success.

 

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Why Read the Whole Fantasy Series?

One of the wonderful things about Fantasy noels is that many of them are part of an extended series of books. I love being able to dive into a new world and staying there for an extended period of time. It is one of the things I look forward to creating as I write more books for each of my two fantasy series (the Cirian War Saga and the the Ways of Camelot novels). With multiple books, there is the opportunity to discover so much more about a new world and to watch as characters grow and change. Done well,  a lengthy Fantasy series will gain my loyalty.

However, there are quite a few series that I have failed to finish. Some of them I really tried to enjoy but just couldn’t. I have the third book of a trilogy sitting on my nightstand right now that I have been trying to finish for months but it just cannot hold my attention. I greatly enjoyed the first book and I really wanted to like the whole series, but I found that it just became stale. The story couldn’t sustain itself over that many books.

Personally, I can think of five reasons:

1. Delays in Publishing. The longer the delay the greater the odds of readers moving on to something else. Whether the delay comes from a publisher wanting to space out their release dates or from an author being slow to produce, the result is the same.  Who wants to read a book when the next one could be years away from release?

2. Repetitive Stories.  I have abandoned numerous series because they start feeling like a summer rerun. I will leave when a story drags on, seeming to loop back to repeat similar quests or battles or wars. Life can be a repetitive drudgery; the books that I read shouldn’t be.

3. Stunted Characters. When the main characters never change or mature, then a series will start feeling like a soap opera: lots of words and fake drama but no real advancement in their life story. After ten years of sword fighting, your guy should be a changed man (older, more experienced, hardened, disgusted, crazed…  something, anything)  Trauma should alter a character’s actions, emotions, and life-goals.

4. Stuck in Glue. There are some great Fantasy series out there that have become bogged down in details. The forward motion of the main story arc almost stops. I get disappointed whenever an author writes a whole novel that is only a side-trip. Maybe the houses are nicer looking on a cul-de-sac, but you certainly aren’t going to get very far driving down that dead-end street. Get the main story moving! Leave off all those side stories that don’t really get us anywhere.

5. Betrayal. This is more of a complex issue. Whenever I feel that an author has set me up, then I will be hesitant to ever trust him or her again. I have had authors create worlds and then mock those creations (and me for naively believing in them). I have had authors lure me into caring for characters and then wantonly kill them off. I have started series where the first book creates a certain mood and then the author (maybe out of boredom) decides to do something completely different with the sequel. Radical change is fine for stand-alone novels but not within a series. Labeling that book as part of a series means that you (author) are promising to uphold the ambiance, the mood, the characters, the brand of the previous book(s).  A television series doesn’t shift from romantic comedy to police procedural to nature show each week. The TV show doesn’t alter its main characters halfway through the season. That TV show holds to a similar feel from episode to episode. Your Fantasy series needs to do likewise.

I love reading a good Fantasy series. I often reread the better ones. Sadly, though, there have been many trilogies and sagas that I have never finished just because the author failed to hold my interest over the long run. I don’t desert stories lightly, but I also cannot stand it when a Fantasy series fails to be entertaining or to be loyal to the world the author crafted in book one.

When it comes to my own Fantasy series, I will strive to be respectful of my readers and do my best to avoid the five shortcomings I mentioned above. Will I succeed? I hope so.

🙂

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Mixing Reality with Fiction

I love fantasy. I love reading fantasy and writing fantasy, for it is such a wondrous genre. My imagination can roam and romp through imaginary lands, sometimes for weeks after I’ve read a great book.

And yet I still want a fantasy tale to have some connection to reality. The protagonist doesn’t need to be from “here” like the leper Thomas Covenant in Stephen R. Donaldson’s stories, but I still need some reality to help me cross the span of imagination to that fantasy land.

Here are three areas where I like to see our reality mix into a fantasy realm:

Anthropomorphism– This term is often used when describing the tendency to give the human attributes to Deity, but I think it can also be applied to fantastic creatures. Is the writer humanizing something alien so that we, as readers, can relate. If your main characters are mice, they had better be rodents with human characteristics like our emotions, our speech patterns, our societal structures. If your characters are elves, dwarfs, or dragons and you want me to relate to them, then show them to be human-like in some way.

I know some villains are distant and their alien ways are vital to the story, but then you can’t bring the reader in close. Tolkien understood this. We never get “into the head” of Smaug or  Sauron because they are too different, but we do get close to Boromir and sense his fatal flaw of envy when he tries to take the Ring for himself and his country.

Flora and Fauna– An alien landscape should have some link to our world in how its plants and animals look and act. Frankly, it is that connection that helps to make the truly fantastic stand out, be it the magical forests in Tolien’s the Lord of Rings or the Ranyhyn steeds in the Thomas Covenant books.

It is because their land is similar to ours, that the hobbits are awed by Ents just as we are. If every tree in Middle Earth walked or grabbed people, it wouldn’t be as startling without overwhelming the story. Because the living trees are unusual in Middle Earth, it is a wonder that doesn’t take over the whole tale.

In Donaldson’s series, the Ranyhyn horses are wondrous because of how they are similar to ours and yet so far beyond any earthly equines.  Their stamina is far beyond any normal horse but we can accept their power because it first awes the protagonists and then is accepted by them too.

Geography– This is an area where I think many writers stumble. I have seen too many lands where the terrain drastically changes without any good explanation or any connection to our world.  In reality, things like oceans and mountain ranges will alter weather patterns and temperatures. I think a writer should be aware of the basics of physical geography or face the danger of creating an unbelievable land.

Tolkien made Mordor different, but he was wise enough to separate it from the rest of Middle Earth by mountain ranges and to show that it was the exception to the land’s reality.  Outside of Mordor, the land follows the same rules as ours. You don’t encounter deserts abutting rain forests or balmy mountains towering over snowy lowlands.

Reality highlights fantasy. I feel that it is the reality, well-applied, that helps to make the imaginary creatures and locations stand out that much more. It is the mundane in a fantasy world that adds awe to the wondrous places.

Interest in how I’ve mixed reality with fiction? Learn more about my first two  published novels: Road of Leaves and Fallen King

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Fantasy Villains- How Close Should You Get?

How close do you want to get to the villains in a fantasy novel? Frankly, the closer you get to a really bad character, the more it influences the mood of the book.  In my epic fantasy, Fallen King, the story follows six characters and three of them could be called bad guys.  I had a concern that if I spent too much time within the thoughts of these villains, the book would start to feel like a dark fantasy or even like a horror novel. However, I also felt seeing events from their perspective added a richness to the novel.

Let me introduce these three “villains”:

1. Lord Drass Halen-Dabe. This young man is resentful of his cold father (General Fors Halen-Dabe) and ambiguous toward his older brother, Mordel. He joins his brother’s scheme to overthrow their uncle, the king. However, Drass tires of doing all the work while his brother gets the glory. When his brother’s allies tempt him to leave Mordel and join them, Drass must decide if the offering power is worth what it will cost him.

2. Brother Brodagar. He is a dragon priest of the Crimson Order but, more importantly, he is an Embraced One- a demon possessed man. Brodagar is sent to learn the secret of Warhaven. Getting the answer will bring him great power. Failing at the task will probably mean banishment of his Other and death for him.

3. Captain Galdon. He considers the army his only family and is fiercely loyal to it. He is so loyal that he chooses to remain even after Lord Silossiak declares himself emperor. He struggles to survive as one of the only Tlocanian officers who is not demon possessed. He despises what his beloved land has become, but he cannot imagine betraying his fellow soldiers.

There are worse characters in Fallen King, some so influenced by demons that they are now insane, but these three are the ones we get to know intimately. We learn of their fears and desires, their crimes and kind acts.

Keeping Villains at arm’s length. In the other fantasy novel that I have released this year, Road of Leaves, takes a different approach to the enemy. The point-of-view stays with the main character, Thomas the magician’s apprentice, never leaving his side. We never see into the minds of any of the people attacking the Road. That has some distinct advantages and challenges.

We only experience Thom’s confusion and fear, and it is the uncertainty of who the enemy is and what the enemy is doing that adds to the book. At least I think so.

So, what do you prefer? Do you want your villains close at hand or at a distance?